 | Shop our complete selection of 523 Cristal Lighting Now! Or view More of our Stores |
| Cristal Lighting Index |
 6198-4 - Somerset Iron Island Chandelier - The history of lighting fixtures provides a wealth of sources for design inspiration, as exemplified by this 4-light wrought iron Somerset island chandelier. For the creative mind, no one period should be overlooked. The concept of removable hanging lanterns can be traced to the late 15th century in Tudor England. Added to this concept is a flourish of Art Nouveau linearity in the iron supports and glass shades resembling wrapped parchment. The result becomes a truly unique contemporary fixture.Comes in a Golden Graphite finish with Frost Clear Ice glass. Note:  690-6 - Versailles Lorraine Chandelier - This 6-light chandelier has the typical density and richness of the crystal lustres installed in the mid-17th century in France. They would become world-famous and be regarded as templates for reproduction pieces to our time. The combining of a variety of prism shapes had originated a half-century earlier in Italy, but Baroque France was more generous in the number of prisms hung and projected the desired fantasy of prismatic colors. Another French Baroque characteristic is the split socket, here cleverly formed into anthemion, which facilitates the insertion and removal of a candle.Note:  5045-1 - Glencoe Alabaster Wall Sconce - This Glencoe wall sconce immediately recalls the overall design of a typical French Empire oil burning lustre. The distinct angularity and low-relief surface ornamentation of the Antique Silver supporting arm recalls characteristics more commonly associated with the Art Deco period. The unexpected, yet sophisticated combination of these two unrelated design sources confirms that in the hands of a competent designer, obvious refrences to familiar design of the past can be creatively married into a timeless statement for today. Comes in an Antique Silver finish and White Alabaster. Note:  5137-1 - Fiore Wall Sconce - The Fiore 17˝” wall sconce features a Venetian Dusk finish. The Fiore family of light fixtures illustrates a visually successful intermingling of period European styles and classical details. The 18th-century open French framework with its extended and very expressive C-scroll candle arms and elaborate, leafy corona above the angular supporting armatures attest to a creative interpretation of history. However, unique to the Fiore fixtures is the skillfully hand-painted floral ornamentation, a lovely touch of individual artistry complimenting the exquisite workmanship of the fixtures. The love of natural, hand-painted floral motifs has its beginning in 18th-century Italy, but no geographic region in the western world could lay claim to originating the application of painted flowers to wooden furnishings.
Note: Bulb not included with this fixture.  6357-78 - Iris Pendant - The Iris FamilyThe Iris pendant is rendered in Venetian tradition, where the Murano artisans had continued for centuries to demonstrate an in exhaustible creativeness, especially in the colorful glass art for which they were world famous. When the lyre fame was popular during the mid 18th century, the glass houses produced large festive chandeliers gaily dressed with brilliantly coloured glass accents. The visual fantasy of the iris pendant captures this spirit, which is further enhanced by the swirling tendrils, gold accents and delicate hand painted banded. The hand blown glass shade was introduced during the 18th century. The design, of English origin, was intended to diffuse candlelight. This shape with a slight inward turning of the upper lip remained popular to the mid 19th century for gas lighting. The shades present a perfect foil for the rich exuberant ornamentation. .  6455-29 - Cristallo Mini Pendant - The Cristallo Wrought Iron mini pendant features a Midnight Bronze finish. The improvement in glass making techniques made it possible in 16th century Venice to imitate fine, semi-precious rock crystal which was vulnerable to fracturing while being cut and polished. With this risk gone, lighting designers by the early 18th century had a myriad of crystal decorations available to ornament the framework of their chandeliers, the design potential of crystal glass having been fully explored. The flowers and foliage of nature remained a continuing source of design inspiration, and the intricate crystal buds, thrusting delicately outward and upward, continue this tradition on the Cristallo family of fixtures. Exquisite acanthus leaf-work overlaying the central frame and scrolled arms, and the decorative lace-like treatment of the front reinforce the imaginative artistry of the Italian design legacy. Note: Bulbs not included with this fixture.  6070-3 - Turin Alabaster Chandelier - This Turin chandelier features Cream Alabaster floating lamps, intricate details and decorations, and a classic masterfully replicated "Old Master" patina varnish-rubbing technique.
Note:  6461-3 - Cadwell Three Lamp Bowl Pendant - The Cadwell three lamp bowl pendant features an English Toffee with Antique Burlwood finish. The Cadwell family of light fixtures is distinguished by the exotic ornamentation of decorative cord tassels. This treatment, the addition of tassels on light fixtures, dates from the 15th century when cord tassels were added to give a touch of color, texture and visual interest to the gilded ironwork of Spanish lantern. Over the next few centuries, tassels made from a variety of fibers were added to the numerous types of interior furnishings, but reached international popularity during the mid Victorian period. At this time, tassels became associated with things Turkish and Egyptian, coinciding with the opening of the Suez Canal in 1869. Cord tassels have since never been out of fashion, and the Cadwell fixtures, with their traditionally inspired designs, continue the long-standing practice of cord tassel ornamentation.
Note: Bulbs not included with this fixture.  6198-6 - Somerset Iron Chandelier - The history of lighting fixtures provides a wealth of sources for design inspiration, as exemplified by this 6-light wrought iron Somerset chandelier. For the creative mind, no one period should be overlooked. The concept of removable hanging lanterns can be traced to the late 15th century in Tudor England. Added to this concept is a flourish of Art Nouveau linearity in the iron supports and glass shades resembling wrapped parchment. The result becomes a truly unique contemporary fixture.Comes in a Golden Graphite finish with Frost Clear Ice glass. Note:  665-1 - Bohemian-Marien Single Lamp Wall Sconce - The great dressed fixtures of the late Georgian period in England, of which the Bohemian-Marien fixtures are a superb example, were the height of luxury at the time, being both very expensive and intricate in their production. After their installation, the work involved in maintaining this means of lighting the domestic interior was laborious. Candles had to be continuously replaced, or trimmed and straightened after every lighting, and each bobeche and their adjacent spattered crystals cleared of wax, washed and polished. Only those in the higher levels of society could afford staff especially employed for this purpose. Specifically, a “lamp and candle man” was hired to maintain the lighting arrangements, and a small room, the “lamp and candle room” was required in the residence where all the materials and equipment for this task were kept. Today, electric lighting contributes to the minimal upkeep required to maintain the dressed crystal fixtures without compromising their sumptuous beauty.
 6214-3 - Brussels Chandelier - Echoing the forms of trailing vines, water plants and root systems, the curvilinear forms of this 3-light chandelier's arms place it at the zenith of the early 20th century Art Nouveau period in Europe. The controlled linearity of the sinuous plant-like forms have the exuberance of the original continental fixtures. There was a vogue for multiple downlights supported by metal arms fashioned in the shape of plant tendrils emanating from a single root. The advent of electric lighting had given designers much greater scope than before, and the burst of creative energy of this period is amply captured in the visually exciting Brussels family of fixtures.Comes in a Bronze Patina finish with Frost Scavo glass. Note:  573 - St. Laurent Wall Sconce - The St. Laurent 21” Wall Sconce features a Burnt Ochre finish. The St. Laurent fixtures defy specific historic classification, but rely on period terminology to describe the impression one has when viewing these magnificent pieces of sculpture. Curving Tudor strapwork is uniquely assembled into a bold Baroque statement of continuous rhythm, generating a visual excitement rarely experienced in a lighting fixture since the 17th and 18th centuries. The glass shade contributes to the expression of vigorous movement, reflecting its original molten state of becoming. The unified design statement made by the impressive St. Laurent fixtures is one of a robust, visually expressive and animated conception.
Note: Bulb not included with this fixture.  590-1-78 - Iris Left Sconce - The Iris FamilyThe Iris one-light wall bracket is rendered in Venetian tradition, where the Murano artisans had continued for centuries to demonstrate an in exhaustible creativeness, especially in the colorful glass art for which they were world famous. When the lyre fame was popular during the mid 18th century, the glass houses produced large festive chandeliers gaily dressed with brilliantly coloured glass accents. The visual fantasy of the iris sconce captures this spirit, which is further enhanced by the swirling tendrils, gold accents and delicate hand painted banding. The hand blown glass shades were introduced during the 18th century. Their design, of English origin, was intended to diffuse candlelight. This shape with a slight inward turning of the upper lip remained popular to the mid 19th century for gas lighting. The shade presents a perfect foil for the rich exuberant ornamentation. See the related products for the matching Iris Right Sconce. .  646 - Savona Iron Pendant - The design for this wrought iron pendant immediately suggests a contemporary interpretation of the early 20th century Art Nouveau style. A sense of rhythm is achieved through the combination of curving lines and spiraling forms. The realistic leaf motif is also very characteristic of the new art aesthetic of that time, which relied so heavily on the inspiration of botany. Finally, the fixture is handcrafted and the glass hand blown, whereby it becomes an individual work of sculptural art.Comes in a Graphite finish with Gold Leaf accents and Frost Clear Ice glass. Note:  531-5 - Somerset Iron Vanity - The history of lighting fixtures provides a wealth of sources for design inspiration, as exemplified by this 5-light wrought iron Somerset vanity. For the creative mind, no one period should be overlooked. The concept of removable hanging lanterns can be traced to the late 15th century in Tudor England. Added to this concept is a flourish of Art Nouveau linearity in the iron supports and glass shades resembling wrapped parchment. The result becomes a truly unique contemporary fixture.Comes in a Golden Graphite finish with Frost Clear Ice glass. Note: 531-5 - Somerset Iron Vanity - The history of lighting fixtures provides a wealth of sources for design inspiration, as exemplified by this 5-light wrought iron Somerset vanity. For the creative mind, no one period should be overlooked. The concept of removable hanging lanterns can be traced to the late 15th century in Tudor England. Added to this concept is a flourish of Art Nouveau linearity in the iron supports and glass shades resembling wrapped parchment. The result becomes a truly unique contemporary fixture.Comes in a Golden Graphite finish with Frost Clear Ice glass. Note:  5184 - Cadwell Wall Sconce - The Cadwell 10” wall sconce features an English Toffee with Antique Burlwood finish. The Cadwell family of light fixtures is distinguished by the exotic ornamentation of decorative cord tassels. This treatment, the addition of tassels on light fixtures, dates from the 15th century when cord tassels were added to give a touch of color, texture and visual interest to the gilded ironwork of Spanish lantern. Over the next few centuries, tassels made from a variety of fibers were added to the numerous types of interior furnishings, but reached international popularity during the mid Victorian period. At this time, tassels became associated with things Turkish and Egyptian, coinciding with the opening of the Suez Canal in 1869. Cord tassels have since never been out of fashion, and the Cadwell fixtures, with their traditionally inspired designs, continue the long-standing practice of cord tassels ornamentation.
Note: Bulb not included with this fixture.  5024-1 - Bernhardt Wall Sconce - Despite electric light's infinite aesthetic possibilities at the turn of the 20th century, shades hiding the bare bulb were usually of floral inspiration. It appears that the creative energy of the designers of this period was often focused on their support. This time in history was known for its exquisitely elaborate linearity, with the individual hand-made curve being the most admired. This wall sconce's arm captures the grace and spontaneity strived for, while demonstrating the other Art Nouveau prerequisite, conscientious workmanship.Comes in a Silver and Gold Leaf finish with White Etruscan glass. Note:  551 - Talleyrand Alabaster Wall Sconce - An early 19th century silhouette, enriched by the application of ancient Roman ornament revived at the time of Napoleon, boldly distinguishes this Talleyrand wall sconce. The fixture's vigorous spiraling torch handle and other decorations speak to the strength and masculinity associated with the military during the period of the French Empire.Comes in a Bronze Oxide finish with Carmel Alabaster. Note:  557-3 - Marxberry Left Vertical Vanity - Emulating flourishing vines, water plants and root systems, the curvilinear forms in this 3-light left vertical vanity place this fixture at the zenith of the early 20th century Art Nouveau period in Europe. The controlled linearity of the sinuous plant-like forms have the exuberance of the original continental fixtures. The burst of creative energy of this period is amply captured in the visually exciting Marxberry vanity light.Note: 557-3 - Marxberry Left Vertical Vanity - Emulating flourishing vines, water plants and root systems, the curvilinear forms in this 3-light left vertical vanity place this fixture at the zenith of the early 20th century Art Nouveau period in Europe. The controlled linearity of the sinuous plant-like forms have the exuberance of the original continental fixtures. The burst of creative energy of this period is amply captured in the visually exciting Marxberry vanity light.Note:  5145 - Papillon Wall Sconce - The Papillon dual lamp wall sconce features a Venetian Iron finish. Butterflies, or papillon, flit and flutter amongst the opening flower bud shades and attenuated leaves. A fantasy fixture influenced by nature, the Papillon wall sconce uses the natural beauty of flowers and foliage for its design and inspiration. Initially fanciful to view and delightful to continually experience, the Papillon expresses a creative handcrafted composition enlivened by the playful angles of the colorful hand-blown glass shades.
Note: Bulbs not included with this fixture.  580-2-26 - Scarlatti Two-Light Wall Sconce - Although the decorative style of a wall bracket is incidental to its purpose, its design should be compatible with and enhance the interior of the space where it is installed. This Scarlatti two-light wall sconce defies a specific stylistic classification, yet its overall character is unquestionable traditional in spirit. It is an eclectic assemblage of classical and exotic motifs, sinuous curves, anthemion and acanthus leaves, and swirling golden glass, all artfully combined to give visual delight in a richly appointed interior.Features a Burnished Bronze finish on Solid Brass with Gilded Murano glass. Note:  6301-5-34 - Constantine Five-Light Chandelier - The Constantine FamilyAt the turn of the 20th century, advances in electric lighting coincided with the Art Nouveau movement. One historian has stated that this happy concurrence resulted in “the single most creative period in the annals of domestic lighting." Glass shades concealing the glairing filaments of early clear glass bulbs could now be mounted in any upward or downward direction. The Constantine five-light chandelier demonstrates that both approaches could be taken with the shade which is supported by arms inspired by curvilinear design characteristics of the New Art. The dominant motif, however, is the cluster of anthemion, a historic Greek and Roman motif that was also used in a vertical or downward direction. The harmonious integration of this ancient motif of stylized honeysuckle flowers with the curving linearity of the supporting arms captures the creative spirit exhibited in the design of the early 20th century lighting fixtures. .  6253-3 - Majorelle Iron Semi Flush Mount - This wrought iron semi-flush ceiling mount captures the very essence of the Art Nouveau style with its subtle yet sinuous linear supports. At once decorative and functional, the undulating tendrils of the carriage are both enhanced by their contrast to the bowl, and enhanced when the fixture is operative. The silhouette created is as important as the detail itself. The organic expression of the era is unquestionably achieved.Comes in an Autumn Ash finish with White Scavo glass. Note: |